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Love in the Counterculture (Wilson, Gerard Charles)
Love in the Counterculture
Untertitel Sixties Series, #5
Autor Wilson, Gerard Charles
Verlag Gerard Wilson
Sprache Englisch
Mediaform Adobe Digital Editions
Erscheinungsjahr 2026
Artikelnummer 52092099
ISBN 978-1-876262-55-6
Plattform EPUB
Reihe Sixties Series
Reihenbandnummer 5
Kopierschutz DRM Adobe
CHF 4.50
Zusammenfassung

SIXTIES SERIES BOOK 5

English-born James Williamson, Danny Williamson's cousin (Counterculture Dreams Book 3), gives up on a future with a pretty, blue-eyed blonde, Anneke van Engelen (The Counterculture Goddess Book 4). He purposely visited her hometown, Middelburg in Holland, to test her feelings. All he got was ill temper and indifference, despite signs she liked him. When he returns to London, he decides not to put off his plan to visit his Australian family. So, in September 1966, he lands in Sydney where his Australian cousins warmly welcome him.

After arranging accommodation and securing a position as the senior English literature teacher at a posh Catholic school for young ladies, he thinks things could not have worked out more favourably. He does not know that the principal and deputy principal, Sister Nora and Sister Laura (In This Vales of Tears Book 2), have an aversion to men, and it was only his exceptional qualifications, a master's degree in English literature, that landed him the job under sufferance of his masculinity.

Fulfilling a promise, he writes to Anneke and Nienke to tell them about his good fortune. To his amazement, he receives a warm letter from Anneke. More correspondence develops their relationship. To complicate things, he develops a liking for Cathy Dunn (Counterculture Deams), his cousin Danny's former girlfriend. She returns his feelings.

In a daring surveillance operation at night in the school grounds, he and Cathy discover later that Sister Laura is dabbling in the occult and goddess worship with a small group from his senior class, an interest that seems linked to the growing counterculture movement.

To further complicate things, and conscious of the danger, he can't help a developing attraction for one of his pupils, the poised, elegant, auburn-haired Elinor Bennett, daughter of well-to-do English parents who migrated to Australia in the 1950s. She subtly encourages his attention, which he struggles to cope with.

His class of young ladies generally likes the suave English teacher, and he has to cope with lots of admiring smiles and impertinent questions about his private life. Foremost among these forward young ladies is the stunning, dark-haired coquette, Brenda Fahy, who shamelessly and mercilessly teases him. She eventually traps him in a compromising position. In his rush to escape, he trips and falls, suffering a serious concussion. Brenda, who is shamelessly connected with Sydney's counterculture leaders, interprets the episode as a commitment.

The fatal mistake, however, that the inexperienced male teacher makes is his open sympathy for the painfully shy and uncertain Sally Wood. He must try to help her overcome her shyness and concentrate on her schoolwork. Unknown to him and the school's management, her mother, Thelma Wood, is mistreating Sally. Late in the year, when Sally can't take the mistreatment any longer and disappears, James is blamed. It is intimated that he has a lurid interest in his vulnerable pupil.

James reaches mental and physical exhaustion. His life becomes a struggle to deal with the various tensions, including his blond, blue-eyed correspondence girlfriend in Holland. He sees that what began so promisingly threatens to collapse on him, ruining his reputation and teaching career forever.

After a lifetime working in the book business (mostly educational publishing) I now concentrate on my writing.



One of my formative experiences was living in Holland with my Dutch wife for two and a half years. On returning to Australia, I completed a major in Dutch Language and Literature before a master's degree in philosophy. My studies and immersion in another culture and language, together with my Catholic faith, form the biggest influences on my writing. But shaping those influences are my mother and father. One could not have more principled parents.



My master's thesis was on Edmund Burke whose thought permeates my writing. My preoccupations are social and cultural from a Catholic and (Burkean) conservative perspective. This reflects my acceptance of the Catholic idea of the reciprocal relationship between faith and reason.



My favourite fiction authors are Charles Dickens, Jane Austen, and Evelyn Waugh. Evelyn Waugh's style and mastery of English have been my biggest influence ? not in vain, I hope. My favourite modern non-fiction author is philosopher Roger Scruton. I spend my leisure time reading and occasionally walking along the nearby shores of Port Phillip Bay. I love opera, musicals, and the ballet (The Nutcracker is my favourite.) I enjoy fifties rock 'n' roll and forties big band. Mozart is my favourite classical composer, but I am acquiring a liking for Bach.



My novels are in the genre of the 'Catholic novel'. They are in the style of Catholic novelists Evelyn Waugh, Grahame Greene, and Morris West. I deal with similar political, philosophical, and moral issues. The difference from general fiction is the assumed philosophical framework. Most modern fiction assumes a materialist framework while the Catholic novel assumes a natural law framework (See the 'Catholic Novel' page on my website.) Finally, there is always a romantic content in my stories. Love relationships are an incisive way of exploring the human person.