the dust of a contact that is everywhere moves between theoretical reflection and aesthetic practice through essays, fragments, daybook entries, and lyrical experiments. It explores attention, the temporality of lyric lines, and the ethical implications of how we read, write, and live beside others. Collage and drift function as both method and ethic; friendship becomes a form of nonhierarchical inquiry. Drawing on artists and thinkers such as Giorgio Agamben, Mei-mei Berssenbrugge, and Toru Takemitsu, the book is a capacious and intimate work of reading understood as a form of radical attentiveness.