Sarah Scott is a lecturer at the Centre for Art History and Art Theory, School of Art and Design, College of Arts and Social Sciences, Australian National University, Canberra, Australia. She writes on non-Indigenous engagement with First Nations art and culture, art patronage, and the representation of Australian art overseas.

Helen McDonald is an art historian and an associate of the University of Melbourne, Australia. She is the author of Erotic Ambiguities: The Female Nude in Art (2001) and Patricia Piccinini: Nearly Beloved (2012). Her recent research focuses on Australian rock art and art about climate change.

Caroline Jordan is an art historian and adjunct honorary research officer, School of Humanities and Social Sciences in La Trobe University, Australia. She is the author of Picturesque Pursuits: Colonial Women Artists and the Amateur Tradition (2005) and recent articles in Australian Historical Studies and Gender and History.