Winner of the 2015 Agnes Lynch Starrett Poetry PrizeMiriam Bird Greenberg's stunning first collection, which roves across a lush, haunting rural America both real and imagined, observed from railyards and roadsides, evokes the world of myth ("I'd spent my childhood / in a house made of bees; on hot days honey // dripped through cracks in the ceiling," she writes). Yet these capacious, exquisitely tensioned poems are rooted in Greenberg's experiences hitchhiking and hopping freight trains across North America, or draw from her informal interviews with contemporary nomads, hobos, and others living on society's edges. Beneath their surface runs a current of violence, whether at the hands of fate or men: she writes "Everyone knows // what happens to women // who hitchhike, constantly // trying a door to the other world made of lake / bottom or low forest, abandoned house // even wild animals / have rejected." The result is a queering of
On the Road, a feminist Frank Stanford at once vulnerable and canny. Richly textured,
In the Volcano's Mouth is an extraordinary portrait of life on the enchanted margins.
Winner of the 2015 Agnes Lynch Starrett Poetry Prize
WInner of the 2017 Bob Bush Memorial Award for Best First Book of Poetry from the Teaxs Institute of Letters
In the Volcano's Mouth is a traditional American road narrative rewritten for the new century, centering women?for so long victims or mute sidekicks in these types of stories?as the powerful central figures in a journey that is unequivocally feminist yet universal.
Many of the poems draw from conversations and informal interviews with hobos, hitchhikers, and other American nomads the author met over the course of nearly a decade spent on and off the road. This book continues an investigation into poetry's role as a documentary or ethnographic form, in the legacy of Charles Reznikoff and CD Wright.
