What do we mean when we say that a novel's conclusion "feels right"? How did feeling, form, and the sense of right and wrong get mixed up, during the nineteenth century, in the experience of reading a novel? Good Form argues that Victorian readers associated the feeling of narrative form--of being pulled forward to a satisfying conclusion--with inn "A most inspiring and insightful book where he brings up the interconnectedness between moral intuition and the form of the novel-the nineteenth century Victorian novel, to be more specific; but with implications for contemporary literature as well."---Jan Kyrre Berg Friis, Ethical Theory and Moral Practice