"This crazy, gorgeous family novel is one of the great literary achievements of the twentieth century. I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn't read the book so much as live it." -Jonathan Franzen, author of FreedomThe Man Who Loved Children is a brutally honest examination of domestic life and family. Sam and Henny Pollit have too much-too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and a chilling domestic power, Sam torments his children, bending and manipulating their seemingly limitless love to his overbearing advantage, while Henny looks on desperately, all too aware of the madness at its root. A favorite novel of Jonathan Franzen and Randall Jarrell, among many others, The Man Who Loved Children stands as Christina Stead's masterwork.
"This crazy, gorgeous family novel" written at the end of the Great Depression "is one of the great literary achievements of the twentieth century" (Jonathan Franzen, The New York Times).
First published in 1940, The Man Who Loved Children was rediscovered in 1965 thanks to the poet Randall Jarrell's eloquent introduction (included in this ebook edition), which compares Christina Stead to Leo Tolstoy. Today, it stands as a masterpiece of dysfunctional family life.
In a country crippled by the Great Depression, Sam and Henny Pollit have too much-too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and chilling charisma, Sam torments and manipulates his children in an esoteric world of his own imagining. Henny looks on desperately, all too aware of the madness at the root of her husband's behavior. And Louie, the damaged, precocious adolescent girl at the center of their clashes, is the "ugly duckling" whose struggle will transfix contemporary readers.
Named one of the best novels of the twentieth century by Newsweek, Stead's semiautobiographical work reads like a Depression-era The Glass Castle. In the New York Times, Jonathan Franzen wrote of this classic, "I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn't read the book so much as live it."
