From the ruins of ocean liners and model cities, to the dark impulses of Greek myths and biblical narratives, poet Megan Gannon casts a wide thematic net in tracing the legacy of desire in the twentieth and twenty-first centuries. With the lyric compression of Emily Dickinson, the syntactical momentum and surrealist imagery of Sylvia Plath, the poems in White Nightgown examine how desire serves as both a creative and a destructive force, drawing loved ones near to us and pushing them away, destroying nations as well as shaping them. In Gannon's poems, the vestiges of desire are as encompassing as water, as enduring and semi-visible as ghosts. Megan Gannon was born in Chattanooga, Tennessee and is a graduate of Vassar College (BA), the University of Montana (MFA) and the University of Nebraska-Lincoln (PhD). She also served as a Peace Corps volunteer in The Gambia, West Africa from 1998-2000. Her novel Cumberland was published in 2014. Gannon's poetry chapbook, The Witch's Index, was published by Sweet Publications in 2012, and her work has appeared in Ploughshares, Pleiades, Gulf Coast, Third Coast, The Notre Dame Review, Verse Daily, Poetry Daily, and The Best American Poetry 2006. She lives in Ripon, Wisconsin and teaches at Ripon College. She is currently at work on her second novel.